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Nothing defines postmodernism so well as its refusal of depth, its emphasis on appearance computer networking las vegas and spectacle, computer networking las vegas and its tendency to collapse a three-dimensional world in which image computer networking las vegas and reality are distinct into a two-dimensional world in which they merge. Our postmodern world is a world of surfaces computer networking las vegas and our postmodern condition one of profound superficiality. For Mark C. Taylor, the disappearance of depth we sense all around us is a change full of creative possibility. Taylor introduces us to a popular culture in which detectives - the postmodern heroes of Paul Auster computer networking las vegas and Dennis Potter - lift surfaces only to find more surfaces, computer networking las vegas and in which fashion advertising plays transparency against hiding. He looks at the current preoccupation with body piercing computer networking las vegas and tattooing computer networking las vegas and asks whether these practices actually reveal or conceal. The limitless spread of computer networks, the history of phrenology, the religious architecture of Las Vegas - all are brought within the scope of Taylor's brilliant analysis. Postmodernism, he shows, has given us a new sense of the superficial, one in which the issue is not the absence of meaning but its uncontrollable, ecstatic proliferation. Conceived computer networking las vegas and developed with designers Michael Rock computer networking las vegas and Susan Sellers, this work transgresses the boundary that customarily separates graphic design from the story within a text computer networking las vegas and embodies the very tendencies it analyzes. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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